In 1846, Lyonnais printer Louis Perrin commissioned a series of capitals inspired by Roman monumental inscriptions for his work on the antique inscriptions of Lyon. This design, later known as Augustaux, launched the "Renouveau Elzévirien" (Old-style Renewal) movement. Cortat’s modern interpretation,
Cortat did not simply copy a historical design. He reinterpreted it for the 21st century. The result is a "modern typeface that offers a unique twist to the typically Roman styles". The "Display" version, specifically, is an optical size crafted for larger applications like headlines, logos, and posters. Unlike its sibling, the text-focused "Louize," the display version features , giving it a chiseled, sculptural quality that mimics the look of letters engraved in stone. One typography expert aptly described its finish as "chiseled" with a "daring touch" that refers to Perrin’s admiration for Roman inscriptions. louize display font vk better
Louize Display is loud and charismatic. To make it pop, pair it with a quiet, neutral geometric or grotesque sans-serif for body copy and subheaders. In 1846, Lyonnais printer Louis Perrin commissioned a
For the Eastern European designer, the VK version of Louize is "better" because it works. It works with Russian punctuation. It works with Cyrillic kerning. It works on a budget. And it comes with a support community that responds within hours, not weeks. He reinterpreted it for the 21st century